In 2026, after nearly 90 years, the Institute of Design was folded into Illinois Tech's School of Design & Society.
This website is an archive of the impactful and inspirational work produced by the ID community before that transition.

László Moholy-Nagy opened the New Bauhaus in Chicago in 1937, treating design as a discipline that was teachable, testable, and consequential. Nine decades on, its scope had widened from the things people use to the systems they depend on: hospitals, government agencies, classrooms, supply chains, digital platforms. Along the way, ID community members developed the published research, methods, and frameworks that designers rely on every day.

Chief among them is human-centered design: close attention to how people actually live, and advocacy for what that research reveals. It shaped designers who are comfortable with complexity and ambiguity: curious, rigorous, inclusive, and stubbornly optimistic about design's ability to change the systems that shape our lives.

To every one of them, who taught, studied, built, critiqued, and stayed late in the studio: thank you, and keep designing.

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Remembering ID Alum Richard Schultz, Celebrated Furniture Designer

His 1966 Adjustable Chaise for Knoll is still in production today

By Andrew Connor

November 3, 2021

Richard Schultz (DSGN ’50), an inventive industrial designer who worked at Knoll, one of the world’s leading furniture manufacturers, and an Institute of Design alumnus, has passed away at the age of 95, reports the New York Times.

Schultz came to Chicago in the late 1940s to study at the Institute of Design, which had been founded by László Moholy-Nagy just a few years prior. Following his graduation, he began work for Knoll, founded by fellow Illinois Institute of Technology graduate Florence Knoll (ARCH ’41), who studied at the College of Architecture.

According to the Times, Schultz took a hands-on, technique-driven approach to the creation of some of the company’s most celebrated outdoor furniture, including the 1966 Adjustable Chaise: a clean, minimalist design made from plastic that could endure the outdoors. The chair is still in production today.

Schultz’s designs were driven by materials exploration, an approach very much rooted in Moholy-Nagy’s experimental curriculum at ID, which prioritized boundless hands-on experimentation and creativity with different mediums.

“‘Form follows technique’ is more of a governing idea than ‘form follows function,’” Schultz wrote in Form Follows Technique: A Design Manifesto, published in 2019. “If comfort is a given, then what controls form is the choice of materials and technique.”

Read more about the life and career of Schultz at the New York Times.